Immersive, Web3 & Media
Video, audio and media production
What this category covers
This is the production side of the studio — anything that ends as a moving image, a sound file or a photograph that has to sell something.
It spans seven recognisable jobs. Films that explain a product to someone who will not read about it. Motion graphics packs that keep everything a company publishes looking like it came from the same place. 3D product animation for launches where the product does not physically exist yet or cannot be photographed. Ongoing editing capacity for organisations publishing on a weekly rhythm. Live streams and webinars, where there is no second attempt. The voice and the mix, which decide whether the rest is watchable at all — a soft picture gets forgiven, a bad recording does not. And product imagery, photographed or generated, for the pages where the picture is the product.
The buyers vary more than the work does. Startups and SMEs needing one film that carries their explanation. Marketing teams standardising output across several contributors. Product brands preparing a launch. Creators and agencies who need reliable monthly capacity. Event and education teams broadcasting to an audience that is not in the room. E-commerce operations with a catalogue that grows faster than their imagery does.
What connects them is a preference for defined scope over open-ended creativity. Every engagement here states what is delivered, in which formats, with how many rounds of changes, on which dates, and what happens when material arrives late. That is not administrative caution — in production it is the difference between a project that finishes and one that quietly consumes twice its budget.
- Services
- 7
- Detailed pages
- 7
15
Video, Audio & Media Production
7 services
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01
Explainer & promo video
Script, storyboard and production — a 60–120 second brand film.
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02
Motion graphics & animation
Animated titles, infographics and brand animations.
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03
3D product animation
A photoreal product shown in motion, for ads and launches.
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04
Video editing retainer
Monthly editing capacity — long-form and clips.
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05
Live streaming & webinar production
Multi-camera, overlays, streaming and recording.
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06
Voiceover & audio production
Recording, mixing and mastering — human or AI voice.
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07
Product photography (including AI)
Studio or AI-generated product visuals, at scale.
How the work runs.
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01
Scope
What you actually need from Video, Audio & Media Production, written as deliverables rather than adjectives.
A day or two
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02
Price and date
A fixed scope, a number and a delivery date, agreed before anyone starts.
Same week
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03
Build
The work itself, with something you can open and look at rather than a status report.
The bulk of it
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04
Handover
Files, access and a walkthrough. Nothing is held hostage.
Final day
See where the site stands before you brief anyone.
Before scoping Video, Audio & Media Production work, it helps to know what the site is doing today. The audit reports what it checked, what it found, and — the part most tools leave out — what it could not check, and why.
Questions people ask before they commit.
- Where should we start if we are not sure what we need?
- Start with where the media has to play and what it has to make someone do. A film for a homepage, a set of clips for a feed, a stream for one afternoon and a catalogue of listing images are four different products, and the answer usually falls out of that question rather than out of a format preference. Tell us the destination and the outcome and we will tell you the shortest route.
- Do you work from footage we already have?
- Frequently, and it is often the best value in this category. Recorded webinars, podcast sessions, old shoots and phone footage regularly contain more usable material than people assume. We review what exists before quoting, and we say plainly if the answer is that it will not carry the result you want.
- How do revisions work across these services?
- Two consolidated rounds on project work, each one a single list rather than messages arriving over a week, with the number written into the quote. Changes to something already approved are new work rather than a revision and are priced as such. Retainers work differently — revisions per item are fixed in the agreement.
- Can you guarantee results?
- No. We can commit to the things that are inside our control — the hook that opens it, clarity with the sound off, correct loudness, correct formats for each platform, and delivery on the agreed day. Reach and conversion depend on your offer and your distribution as much as on the media. Anyone promising views is promising something they do not own.
- What do deliveries look like?
- A dated folder rather than a single file — masters, the crops and aspect ratios you need, captions both burned in and as a separate SRT, audio stems where relevant, stills, and a short readme saying which file goes where, who any music is licensed to, and how long we hold the source material.
- Can several of these run together?
- Yes, and they usually should. A launch typically wants the film, the cutdowns, the product imagery and the audio treated as one piece of work with one set of brand decisions behind it, rather than commissioned separately and then made to match afterwards.